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    <loc>https://www.remediationroom.ca/news</loc>
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    <lastmod>2022-11-12</lastmod>
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  <url>
    <loc>https://www.remediationroom.ca/news/wealreadyhavewhatweneed</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-21</lastmod>
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      <image:title>News - Imagine Better Futures  - we already have what we need - Make it stand out</image:title>
      <image:caption>Image: Christina Battle, Remedy Toxic Energies: Summoning Circle (postacrd), 2022. Courtesy of the artist. Image description: Light blue text in all caps on white reads: IMAGINE BETTER FUTURES. The text is surrounded by a circle of pink candles with yellow flames.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/bebd2f46-142b-4ed3-bf5e-e0289d0a08d1/Esker-111.jpg</image:loc>
      <image:title>News - Imagine Better Futures  - we already have what we need - Make it stand out</image:title>
      <image:caption>Rita McKeough, tender, 2015, Installation and video projection. Oh, Canada: Contemporary Art from North North America, Esker Foundation Project Space, Mohkinstsis/Calgary, AB. Photo: John Dean/courtesy of Esker Foundation. Courtesy of the artist. Image description: A photograph of three rows of small metal frame hospital beds with white pillows and sheets with hot dogs tucked into them. There is a large projection of brown cows in a field on the wall that the hot dogs are facing. Between the rows of beds, about every two beds, are cell phones turned horizontally to face the hot dogs with images of cows and fields on them. The floor is checkered white and blue. There are white curtains on the right and left sides of the image, as if you are peering into the space.</image:caption>
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      <image:title>News - Imagine Better Futures  - we already have what we need</image:title>
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      <image:title>News - Imagine Better Futures  - we already have what we need</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/1612200876250-XHC4EFS5LDZ30BHTKKYI/_H_+performance+Rita_McKeough.jpg</image:loc>
      <image:title>News - Imagine Better Futures  - we already have what we need - Make it stand out</image:title>
      <image:caption>Image: Rita McKeough, H, 2014. Fourteen-day performance work with audio, video and kinetic objects, Mondo Monde New Media Festival, Faucet Media Arts Centre, Sackville, NB. Production assistance, Rachael Chiasson. Photo by Struts and Faucet Media Arts Centre. Image description: A photograph of Rita in a squirrel suit. They are in room with small cots lining the walls. In the cots are cell phones with blankets on them. There are chords connecting the network of cell phones to small boxes with branches protruding from them. An image of a forest is projected on the back wall. The eye of the squirrel appears to look directly at the camera as it crouches down touching a blanket on one of the cell phone cots with a pinecone on it.</image:caption>
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  <url>
    <loc>https://www.remediationroom.ca/news/petro-propaganda</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/8e1311c7-a5e5-4c3d-9b00-5e7a963d523b/AlternatorMASS.jpg</image:loc>
      <image:title>News - On Petro-Propaganda and Being an Artist in ‘Alberta’ - Make it stand out</image:title>
      <image:caption>Rita McKeough, Alternator, 2012, parking lot performance with sound. Miniature pumpjacks with DC motors, automobile parts, a 45-gallon oil drum, and a hand-cranked electricity generator built into a steering wheel. Oh Canada! MassMoCA, Boston. Technical Assistance: Robyn Moody, Audio: Richard Brown. Courtesy of the artist. Image description: A photograph of a parking lot with two people across from each other; one is crouching down on one knee, the other is sitting on the driver’s side of a car seat that has been removed from a vehicle, and their hand is on a steering wheel that has also been removed from a vehicle. The car seats and steering wheel are sitting directly on the pavement. Rita is on the left wearing a blue jumpsuit with yellow reflective strips and a red construction worker hat. There are miniature pumpjacks and cables in the foreground and background. Part of a large red oil barrel can be seen behind the car seats. There are cars parked in the parking lot in the background.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/49a89f4e-d652-408c-96f5-ff96c24f10e4/image15.jpg</image:loc>
      <image:title>News - On Petro-Propaganda and Being an Artist in ‘Alberta’ - Make it stand out</image:title>
      <image:caption>Image: Christina Battle, THE COMMUNITY IS NOT A HAPHAZARD COLLECTION OF INDIVIDUALS, 2021, made for Plastic Heart: Surface All The Way Through – curated by the Synthetic Collective for Art Museum @ University of Toronto [digital print on organic cotton, animated GIF, participatory project with seed packs (grass &amp; wildflower seed, mycorrhizal fungi), instruction set, postcards, website.] Photo: Alana Bartol.  Image description: A photograph of three kraft seed packets on the grass. Each has a different labelwith black text on a different colour, from left to right: bright  blue, light  yellow, and aqua green. The labels have a pattern of four interlocking hexagons, three of the hexagons are outlines and one is solid black with the text “seeds are meant to disperse”. One of the packets has been ripped open along the top.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/a79768eb-81ea-4008-a90c-30558da58076/Long+Haul+%281%29.jpg</image:loc>
      <image:title>News - On Petro-Propaganda and Being an Artist in ‘Alberta’ - Make it stand out</image:title>
      <image:caption>Rita McKeough, Long Haul, 2006. Performance (Tkaronto/Toronto), Motorized tree, found natural materials, sound chip circuit, light and power switches, plugs, drywall gauze tape, battery charger. Photo: Dave Kemp, courtesy of the artist. Image description: A photograph of Rita and a small coniferous tree in a planter on wheels are crossing a crosswalk on a busy urban street. A silver car is stopped at the crosswalk with a black car behind it. There is a sidewalk and many storefronts along the street. On the far right, there is a line of phone booths where a man is smoking a cigarette, and another person can be seen starting to cross the crosswalk.</image:caption>
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      <image:title>News - On Petro-Propaganda and Being an Artist in ‘Alberta’ - Make it stand out</image:title>
      <image:caption>Image: Gallery entrance, Grasping at the Roots, exhibition curated by Christina Battle, with works by: Debbie Ebanks Schlums, Serena Lee, Eugenio Salas, Shawn Tse, and Scott Portingale. The Mitchell Art Gallery (Edmonton), January17 – March 28, 2020. Image by Blaine Campbell, courtesy of The Mitchell Art Gallery.  Image description: Black vinyl lettering on a white wall reads: “Radical simply means grasping things at the root - Angela Y Davis.” A plinth stands below the text with piles of paper print outs (exhibition texts and essays).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/0a187bcf-35a2-4cbe-87c9-9c66518ac230/image5.jpg</image:loc>
      <image:title>News - On Petro-Propaganda and Being an Artist in ‘Alberta’ - Make it stand out</image:title>
      <image:caption>Image: Christina Battle, THE COMMUNITY IS NOT A HAPHAZARD COLLECTION OF INDIVIDUALS (instruction set image), 2021, made for Plastic Heart: Surface All The Way Through – curated by the Synthetic Collective for Art Museum @ University of Toronto [digital print on organic cotton, animated GIF, participatory project with seed packs (grass &amp; wildflower seed, mycorrhizal fungi), instruction set, postcards, website.] Courtesy of the artist. Image description: Bright pink text on a light pink background that reads: Impacts of the petrochemical industry are not equally distributed.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/8358a022-45d3-4a85-95c8-79071dba49a4/image18.jpg</image:loc>
      <image:title>News - On Petro-Propaganda and Being an Artist in ‘Alberta’ - Make it stand out</image:title>
      <image:caption>Image: Rita McKeough, darkness is as deep as the darkness is, 2020. Installation with sound, video, electronics and performance. Walter Phillips Gallery, Banff Centre for Arts and Creativity. Production assistance Jeremy Pavka, Ariel Ty, Alex Moon, Rachael Chiasson, Jude Major. Photos: Donald Lee, courtesy of the artist/Walter Phillips Gallery, Banff Centre for Arts and Creativity. Image description: a large gallery space containing rows and rows of scaffold-like wooden towers topped with green sword ferns that stretch to the back of the gallery. The photograph is taken down the centre of an aisle that a visitor would walk down to view the installation.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/eb282b58-5ec5-4281-be90-5c2b01c8623a/2018-04-18-OboroMcKeough-021+%281%29.jpg</image:loc>
      <image:title>News - On Petro-Propaganda and Being an Artist in ‘Alberta’ - Make it stand out</image:title>
      <image:caption>Rita McKeough, Veins, 2016-2018, Interactive installation with performing objects, electronics, sound and animation, Production Assistance: Ann Thrale, Rachael Chiasson, Yvonne Kustec, Alex Moon, Jude Major, Bill Hornichek, Lowell Smith, Angela Bedard, and Trevor Mercer. “Veins,” Oboro, 2018. Photo: Paul Litherland, courtesy of the artist/Oboro. Image Description: a photograph of a gallery space shaped like an “L” with a black strip with a dashed white line that looks like a road that stretches on a diagonal from the middle left to the right and then makes a turn towards the back wall of the gallery. The road is lined with black sandbags. Two bright circles of white are projected on the walls, each with a face obscured by a green leaf with eye and/or mouth holes like a mask. The face on the left appears to belong to a bird, with its ears sticking out from the leaf and big yellow eyes. The face on the right looks like an animal with its teeth bared. On the floor are large, flat tear-dropped shaped leaves of different colours: green, yellow, and orange. Throughout the space, there are drums made of tree stumps with branches attached for drumsticks. There are also small black pump jacks. In the foreground is a green platform shaped like a leaf with a long black snake.</image:caption>
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      <image:title>News - On Petro-Propaganda and Being an Artist in ‘Alberta’ - Make it stand out</image:title>
      <image:caption>Image: Christina Battle, postcards for a better budget: reimagining the cut – participatory project at Latitude 53 (Edmonton), curated by Noor Bhangu, 2019 &amp; 2020. Courtesy of the artist. Image description: A collage with cut-out, black and white images of a bird with its beak open perched on a branch next to mushrooms. The background is filled with stripes and patches of bright colours. In the upper right corner, there are five cut-out individual words in black text on a white background that read “Albertans deserve better need better”.</image:caption>
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      <image:title>News - On Petro-Propaganda and Being an Artist in ‘Alberta’ - Make it stand out</image:title>
      <image:caption>Rita McKeough, Veins, 2016-2018, Interactive installation with performing objects, electronics, sound and animation, Production Assistance: Ann Thrale, Rachael Chiasson, Yvonne Kustec, Alex Moon, Jude Major, Bill Hornichek, Lowell Smith, Angela Bedard, and Trevor Mercer. “Veins,” Oboro, 2018. Photo: Paul Litherland, courtesy of the artist/Oboro. Image Description: a photograph of a gallery space taken at a high angle. There is a black strip with a dashed white line that looks like a road that stretches down the centre lined with small black sandbags. A young person is walking down the road, and they are in movement and slightly blurry. There are a number of people standing or squatting on the road at the back of the gallery looking at the artwork. There are bright circles with faces projected on the walls. On the wall on the top left, the projection shows what appears to be a bird’s face obscured by a green leaf with eye holes like a mask. On the floor are large, flat tear-dropped shaped leaves of different colours: green, yellow, and orange. On either side of the road, there is a row of sculptures, the same on both sides: small black pump jacks, drums made of tree stumps with branches attached for drumsticks, and green platforms shaped like leaves, each with a long black snake on top. Black chords are running on the ground and are attached to the sculptures.</image:caption>
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  <url>
    <loc>https://www.remediationroom.ca/news/reflections</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/0c9da7fa-ba4d-4091-8da9-ec1bffdc66cd/imagine.jpg</image:loc>
      <image:title>News - Reflections, Relationships, and Remedies - Make it stand out</image:title>
      <image:caption>Image: Christina Battle, Page from Remedy Toxic Energies: Summoning Circle Zine, 2022. Courtesy of the artist. Image description: Bright blue text in all caps on white reads: IMAGINE IF WE INVESTED IN THE LAND AND IN PEOPLE INSTEAD OF TOXIC INDUSTRIES. IMAGINE HOW WE MIGHT BUILD THE SYSTEMS THAT WE NEED INSTEAD. IMAGINE IF WE PRIORITIZED CARE. IMAGINE IF IT WAS EASIER TO BREATHE HERE. IMAGINE IF THE FUTURE DIDN’T INVOLVE EXTRACTION AT ALL. IMAGINE BETTER FUTURES. Each sentence has a space between them, and they are centred on the page. An image of a  light pink candle with a yellow flame is at the bottom left and top right corners.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/e2b33ed9-576f-4a4e-875d-bb7c086131b7/PXL_20220206_213050337.jpg</image:loc>
      <image:title>News - Reflections, Relationships, and Remedies - Make it stand out</image:title>
      <image:caption>Image: Centre for Interspecies Mutual Support in Troubled Times (CIMSITT)/Rita McKeough, Song for the Birds, 2022. Photo: Bryce Krynski. Courtesy of the artist/CIMSITT. Image description:  A bright projection of an image in a dark space of a desolate-looking landscape with a duck flying against a bright blue sky. There are smokestacks in the distance with smoke billowing out. There is some grass in the foreground but it looks like the land has been stripped bare of vegetation. The ground is muddy and brown and there are some piles of dirt surrounding pools of liquid that looks like dark water. The duck is headed upward and its wings are spread out wide.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/69c6250e-a1d3-421d-8b1e-f2f0d8da8825/PXL_20220206_230814310.jpg</image:loc>
      <image:title>News - Reflections, Relationships, and Remedies - Make it stand out</image:title>
      <image:caption>Image: Centre for Interspecies Mutual Support in Troubled Times (CIMSITT)/Rita McKeough, Song for the Birds, 2022. Photo Credit: Bryce Krynski. Courtesy of the artist/CIMSITT. Image Description: A group of people wearing masks gathered together low to the floor, looking at a number of plant/machine-like robots on the floor. Each object is the size of a remote control car but looks like a section of earth with moss, roots, and soil. Round to triangular-shaped green and yellow leaves stand on the end of thin stems coming out of the top of each object. A small red glowing light can be seen underneath each machine. There are branches and small black oil barrels on the floor. The floor of the room is black, and the wall behind them is black. Two people are wearing grey button-up work shirts with their names in white letters.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/f3c38ba3-58d9-4726-a092-c18efe174150/data_NEW2.jpg</image:loc>
      <image:title>News - Reflections, Relationships, and Remedies - Make it stand out</image:title>
      <image:caption>sources: Canada’s oil and gas sector received $18 billion in subsidies, public financing during pandemic: report. Government of Canada ‘Greenhouse Gas Emissions’. Reducing oil and gas production is Canada’s ‘only possible lever’ to hit 2030 climate goals. Zero Carbon: So not ready. Image: Christina Battle, Remedy Toxic Energies: Summoning Circle Resources, 2022. Courtesy of the artist. Image description: Three colourful icons divided by thin black lines under the heading “Data” provide information about subsidies to the oil &amp; gas sector in Canada, Canada’s top polluting province: Alberta, and how reducing oil and gas production is the most cost-effective way to reduce our emissions. The first icon is a pink money sign in a circle, the second a pink smoke stack with smoke, and the third a yellow sun. Text citing the sources for the data is below.</image:caption>
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      <image:title>News - Reflections, Relationships, and Remedies - Make it stand out</image:title>
      <image:caption>Image: Centre for Interspecies Mutual Support in Troubled Times (CIMSITT)/Rita McKeough, Postcards (back), Song for the Birds, 2022. Photo Credit: Alana Bartol. Courtesy of the artist/CIMSITT. Image description: A pile of white postcards with green and red text. There is a Canadian stamp on the upper right corner of the postcard on top. Each postcard has a  drawing of two squirrels carrying a green empty stretcher. The cards say Centre for Interspecies Mutual Support in Troubled Times in red, and they are addressed to Tom Olsen, CEO, Canadian Energy Centre (The Energy War Room) in Calgary, AB. There are signatures in pen at the bottom of the cards.</image:caption>
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      <image:title>News - Reflections, Relationships, and Remedies - Make it stand out</image:title>
      <image:caption>Christina Battle, Exercices in Trust, 2020 - ongoing. Courtesy of the artist. Image description: An animated GIF of repeating text in large pink font that reads: “Can collective reading, / when performed across distance, / turn into a sort of spell?”</image:caption>
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      <image:title>News - Reflections, Relationships, and Remedies - Make it stand out</image:title>
      <image:caption>Image: Christina Battle, Remedy Toxic Energies: Summoning Circle, 2022. Photo: Courtesy of the artist. Image description: a top-down photograph of overlapping postcards and two copies of a zine (one opened, one closed), with a small beeswax candle, a brown packet, and a kraft envelope/seed packet on a table. The postcards and the front of the zine have a circle of pink candles with yellow flames with blue text in the centre on white backgrounds. The words “REMEDY TOXIC ENERGIES” are in light blue on the zine and the postcard, and the other postcard says “IMAGINE BETTER FUTURES,” also in light blue and written in all caps. The text in the zine is light blue and pink. The kraft envelope has a  yellow label that says “seeds are meant to disperse” and “CHAMOMILE, German and Roman Mix.”</image:caption>
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      <image:title>News - Reflections, Relationships, and Remedies - Make it stand out</image:title>
      <image:caption>Image: Centre for Interspecies Mutual Support in Troubled Times (CIMSITT)/Rita McKeough, Postcard (front), Song for the Birds, 2022. Photo Credit: Courtesy of the artist/CIMSITT. Image description: a top-down view of black oil barrels laying horizontally, as if knocked over, on top of a dark liquid surface with shiny ripples that look like oil on dark water. A bright green, brown, and yellow organic-looking object made of moss and soil with a number of small cut branches, each with a long stem coming out of its centre with a yellow and green round leaf standing upright. The leafed object is angled towards the barrels as though moving in from the top right,  pushing against an oil barrel.</image:caption>
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    <loc>https://www.remediationroom.ca/news/interview-with-nurgl-rodriguez-part-three</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-09</lastmod>
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      <image:title>News - Interview with Nurgül Rodriguez Part Three</image:title>
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      <image:title>News - Interview with Nurgül Rodriguez Part Three</image:title>
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      <image:title>News - Interview with Nurgül Rodriguez Part Three</image:title>
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      <image:title>News - Interview with Nurgül Rodriguez Part Three - Make it stand out</image:title>
      <image:caption>Nurgül Rodriguez, In the Vessel of my Skin, Porcelain body of works at the Ledge Gallery, ARTS COMMONS, 2021, solo exhibition. Image: Arts Commons.</image:caption>
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      <image:title>News - Interview with Nurgül Rodriguez Part Three - Make it stand out</image:title>
      <image:caption>Nurgül Rodriguez, Out of Place, 2020, glazed porcelain installation and live exchange, Remai Modern, Saskatoon. Photos: Golden Media Company.</image:caption>
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      <image:title>News - Interview with Nurgül Rodriguez Part Three - Nurgül Rodriguez, His·to·ry on strange soil, 2021. Porcelain, photography, public intervention / performance, Provincial Courthouse, Stop 2, Historical Walking Tour: Downtown Medicine Hat. Courtesy of the artist.</image:title>
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  <url>
    <loc>https://www.remediationroom.ca/news/cimsitt-song-for-the-birds</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
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      <image:caption>A CIMSITT volunteer will translate the sparrow’s call to English and a full transcript of the translation will be stored in the CIMSITT archive</image:caption>
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      <image:caption>Images: Courtesy of CIMSITT</image:caption>
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    <lastmod>2022-01-18</lastmod>
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      <image:caption>Shepherdess Cailey Chase herding the goats of Vahana Nature Rehabilitation on McHugh Bluff in Mohkínstsis (Calgary, AB).</image:caption>
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      <image:caption>Christina Battle, Remedy Toxic Energies: Summoning Circle, 2022. Courtesy of the artist.</image:caption>
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    <lastmod>2022-02-09</lastmod>
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    <loc>https://www.remediationroom.ca/news/nurgul-interview-part-one</loc>
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    <lastmod>2021-12-08</lastmod>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/0052e1c7-9c10-43c8-a7d2-6e4c700e8a9a/collective-reading3.gif</image:loc>
      <image:title>summoning circle resources - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/f3c38ba3-58d9-4726-a092-c18efe174150/data_NEW2.jpg</image:loc>
      <image:title>summoning circle resources</image:title>
      <image:caption>sources: Canada’s oil and gas sector received $18 billion in subsidies, public financing during pandemic: report. Government of Canada ‘Greenhouse Gas Emissions’. Reducing oil and gas production is Canada’s ‘only possible lever’ to hit 2030 climate goals. Zero Carbon: So not ready.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/1cc8006c-edd9-4c09-af1c-1bce424eddc8/Screen+Shot+2021-11-29+at+8.32.02+PM.png</image:loc>
      <image:title>summoning circle resources</image:title>
      <image:caption>source: Canada’s Changing Climate Report.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/c9e7a222-4340-4a74-ad05-d969b13aad17/chamomile+flower+tone.jpg</image:loc>
      <image:title>summoning circle resources</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/4ab82209-f10a-42ee-a9a0-3310d7203e19/summoning+circle_nov1_colour2.jpg</image:loc>
      <image:title>summoning circle resources</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.remediationroom.ca/cimsittresources</loc>
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    <lastmod>2022-11-01</lastmod>
  </url>
  <url>
    <loc>https://www.remediationroom.ca/artists</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2022-01-31</lastmod>
  </url>
  <url>
    <loc>https://www.remediationroom.ca/artists/nurgul-rodriguez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/1612220611170-FKZP2A9CBHS7I0AY150O/Letter+for+Home-On+the+Wall.jpeg</image:loc>
      <image:title>Artists - Nurgül Rodriguez</image:title>
      <image:caption>Images: Nurgül Rodriguez, "Letter for Home", 2020. As part of "Landed", exhibition at the Esplanade. Photo: Courtesy the artist. Image description: A photograph of a white cloth printed with black text pinned on a white wall. The text reads: IMMIGRANT MOTHERS NEWCOMER FATHERS HYPHENATED DAUGHTERS NON-CITIZENS SONS NEWCOMER BROTHERS OUTSIDER SISTERS EXPATRIATE UNCLES EMIGRANT AUNTS DISPLACED GRANDPARENTS AND CHILDREN. On the floor are nine pairs of shoes made of paper in a range of colours.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/1612220654554-08NHPKGLPA0P0SXJUC5J/Letter+for+Home5.jpeg</image:loc>
      <image:title>Artists - Nurgül Rodriguez</image:title>
      <image:caption>Image description: A photograph of two pairs of shoes on a grey floor. The front of the shoes are pointed towards a wall, just a few inches away. The shoes are made of orange and brown coloured paper with handwriting in black ink.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.remediationroom.ca/artists/rita-mckeough</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/1612215075706-U8OM2CNY2KOESMHM47Q5/darkness+is+as+deep+as+the+darkness++is+4+Rita_McKeough.jpg</image:loc>
      <image:title>Artists - Rita McKeough</image:title>
      <image:caption>Images: Rita McKeough, "darkness is as deep as the darkness is", 2020. Installation with sound, video, electronics and performance. Walter Phillips Gallery, Banff Centre for Arts and Creativity. Production assistance Jeremy Pavka, Ariel Ty, Alex Moon, Rachael Chiasson, Jude Major. Photos: Donald Lee. Image description: a corner view of a dark gallery space with three projections on the walls. Each projection shows a close-up image of an animal or bird's face, from left to right: an eagle, a wolf, and a deer. Light patterns the floor in the shape of fern fronds.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/1612215076782-49KA3IJYY0TTUL8Q5F42/darkness+is+as+deep+as+the+darkness++is6.jpg</image:loc>
      <image:title>Artists - Rita McKeough</image:title>
      <image:caption>Image description: a large gallery space containing rows and rows of scaffold-like wooden towers topped with green sword ferns that stretch to the back of the gallery. The photograph is taken down the centre of an aisle that a visitor would walk down to view the installation.</image:caption>
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  </url>
  <url>
    <loc>https://www.remediationroom.ca/artists/mia-eric</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/1612208327169-8CVSUGP9VUSRW292UFW8/Screen%2BShot%2B2021-02-01%2Bat%2B12.31.16%2BPM.jpg</image:loc>
      <image:title>Artists - Mia  &amp;  Eric</image:title>
      <image:caption>Images: Mia Rushton and Eric Moschopedis, "Here Today, Gone Tomorrow", 2017 - 2018. Photos: Courtesy the artists (left), created with Bryce Krynski (right). A botanical intervention into the Lougheed House (Calgary, Alberta) developed during a three-month urban ecology residency. Image description: a photograph of three people gardening on a sunny day. Lawn stretches behind them to the left lined with manicured gardens, bushes, and trees. One person is bending over, standing on a paved pathway. Trees obscure buildings in the far background and part of a light post can be seen on the left side of the image. An orange wheelbarrow with plants in it sits in the foreground.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/1612208341233-KUI2PE9FGKVLZH6KMT8E/9781773850917_chapter09_Page_1.jpg</image:loc>
      <image:title>Artists - Mia  &amp;  Eric</image:title>
      <image:caption>Image description: A photograph of a tall, stylish fireplace in a bright room with a blue wall and hardwood floor. The fireplace is clean and empty and the mantle has a mirror reflecting part of the room. Five planters containing grasses sit in a row along the mantle.</image:caption>
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  </url>
  <url>
    <loc>https://www.remediationroom.ca/artists/christina-battle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/1612201804253-X2KKG3IX2PXZ76KCVH6R/DOC180508_24701.jpg</image:loc>
      <image:title>Artists - Christina Battle</image:title>
      <image:caption>Images: Christina Battle, "seeds are meant to disperse", Untitled Art Society (Calgary), curated by Ellyn Walker, 2018. Photos: Katy Whitt Photography. [previously titled: seeds for the end of the world]. Image description: A photograph of four zines on a white plinth. The front cover has a design with four connected hexagons, one is solid black with text that reads: "seeds for the end of the world". One zine stands vertical on the right, showing the back cover which has a yellow and green image of a plant.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/1612201849229-1CIUE9VAU4HJQA14EMIJ/seeds+for_image+credit+Katy+Whitt.JPG</image:loc>
      <image:title>Artists - Christina Battle</image:title>
      <image:caption>Image description: A photograph of a clear bowl filled with a mixture of seeds on a white plinth. A person's hand holds a spoon with a scoop of the seeds. Their other hand holds a small plastic bag open. There is another white plinth in the background.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.remediationroom.ca/artists/tamara-lee-anne-cardinal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/1612212440413-U9E9RM9KZ1WYPIKMRKRF/DOC190121_9186.jpg</image:loc>
      <image:title>Artists - Tamara Lee-Anne Cardinal</image:title>
      <image:caption>Images: Tamara Lee-Anne Cardinal, "Mekinawewin: to give a gift", 2019, Untitled Art Society. Photos: Katy Whitt Photography. Image description: overlaid black and white resource texts sprawled across a light coloured wooden table top, some of which read “Intergenerational Trauma”, “White Good Flying Report”, “Canada breached ‘duty of care’ in 60’s Scoop, judge”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/1612218023285-J0YCLKY44E0SZH69EST0/PT190219_1531.jpg</image:loc>
      <image:title>Artists - Tamara Lee-Anne Cardinal</image:title>
      <image:caption>Image description: On a window sill, sits a package where a light brown coloured twine is gift-wrapped around several sheets of handmade paper, the first of which on top is a dark brown colour followed by a white sheet. Around the bow of the twine, is the name “Ryley” and the letter “3” written in permanent ink.</image:caption>
    </image:image>
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    <loc>https://www.remediationroom.ca/artwork</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2022-11-03</lastmod>
  </url>
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    <loc>https://www.remediationroom.ca/artwork/centre-for-interspecies-support-in-troubled-times-cimsitt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
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      <image:title>Artwork - Centre for Interspecies Mutual Support in Troubled Times - CIMSITT - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc15f3de2fce462bc8f3a2c/69c6250e-a1d3-421d-8b1e-f2f0d8da8825/PXL_20220206_230814310.jpg</image:loc>
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      <image:title>Artwork - Centre for Interspecies Mutual Support in Troubled Times - CIMSITT</image:title>
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  </url>
  <url>
    <loc>https://www.remediationroom.ca/artwork/grazingbetweentwoworlds</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-21</lastmod>
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